The Forgotten Opera Company's Spring 2007 production, Random Acts of Opera, was performed April 21 and 22 at Bethesda Presbyterian Church at 8:00 p.m. The program consisted of three one-act operas by more-or-less “American” composers of the 20th century: The Telephone by Gian Carlo Menotti,

Random Acts of Opera
Gallantry by Douglas Moore, and The Stoned Guest by PDQ Bach.

 

The Telephone Gian Carlo Menotti, who passed away earlier this year, was Italian by birth and musical
heritage but became a giant of the American musical scene, both on Broadway and in the opera house. He was not only the composer of many operas and other theatre pieces, but was a renowned stage director and impresario. This year marks the 60th anniversary of The Telephone’s world premiere. Though still fairly popular in college and conservatory opera workshops Menotti’s operas are encountered in professional opera houses much less frequently than in decades past, with the exception of the perennial Christmas favorite, Amahl and the Night Visitors. We feel strongly that these works, featuring believably drawn characters and heartfelt musical gestures, should not be forgotten. Click here for more information.
   
One of the relatively few 20th century American operas to have held the stage long after its premiere is Douglas Moore's Gallantry (A Soap Opera)
The Ballad of Baby Doe. While Gallantry is cut from the same cloth musically, the “plot” couldn’t be more different. It’s a delightfully whimsical “soap opera” in the literal sense, with an Announcer who not only introduces each scene of the drama, but hawks the sponsors’ products—including Lochinvar Soap and Billy Boy Wax—during commercial breaks! And what day-time drama would be complete without a love triangle between the handsome but philandering surgeon, the lovely and faithful nurse, and her fiancé, whom she is surprised to find on the operating table? Click here to learn more about our cast.
   
The Stone(d) Guest

The noted American musicologist Peter Schickele, a respected composer in his own right, has done the musical world an inestimable disservice by rescuing the works of the 21st child of J.S. Bach from centuries of well-deserved neglect. Having recently presented Mozart’s Don Giovanni, we look forward to showing some of the same characters in a very different light in PDQ Bach’s The Stoned Guest. Click here for cast information.

Performances were April 21 & 22 at 8:00 p.m., at Bethesda Presbyterian Church, 7611 Clarendon Road, Bethesda, Maryland.

 

 

  
         
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